Cover Vietnamese embroidery reborn in Lecia Bridal’s “Her-itage”

Designer Nguyen Quynh Anh renews Vietnamese embroidery through a cycle of carving, inlaying and cutting, merging heritage with techniques such as laser cutting and 3D florals.

Femininity has never been confined to a single form. In every era, it remains a multi-faceted essence where memories, emotions and heritage intertwine, tighten, and weave into the figure of a contemporary woman. Today, that spirit is shaped by two voices: one yearning for innovation, the other grounded in experience and craftsmanship, each preserving memories with every stitch. Beneath the diaphanous layers of fabric lies an unspoken whisper between generations, where feminine beauty is constantly redefined, transformed and grown in the unique rhythm of every hand.

For designer Nguyen Quynh Anh and Lecia Bridal, the pursuit of femininity extends beyond cuts and materials into a dialogue between tradition and modernity. The “Her-itage” collection draws from royal Vietnamese embroidery, breathing new life into memory. Each gown, elegant yet powerful, honours heritage while affirming the creative spirit of today’s women.

Don’t miss: Burberry Spring Summer 2026: a symphony of fashion and music from Daniel Lee

Woman in wedding dress

In today’s fashion symphony, many designers strive to continue the rhythm of the past through innovation, and Nguyen Quynh Anh is one of those voices. For her, femininity serves as both muse and compass, shaping a cherished story in wedding fashion.

From her earliest encounters with fabric to the first stitches that brought Lecia Bridal to life, Nguyen Quynh Anh has embodied a distinctive feminine spirit through Vietnamese embroidery: gentle yet graceful, soft but never bland. Her notion of femininity transcends surface charm, revealing depth and nuance. The “Her-itage” collection captures this philosophy beautifully.

Tatler Asia
Above “Her-itage” is more than a clever play on words between “Her”, the feminine pronoun, and “Heritage” (photo: Lecia Bridal)

For Lecia, “Her-itage” is more than a linguistic flourish; it reflects the collection’s vision of harmony between modern beauty and ancestral memory, a dialogue between today’s muse and echoes of the past.

In Nguyen Quynh Anh’s world, the muse is not defined merely by a delicate face or graceful figure. She embodies strength, independence and quiet confidence as a modern woman who honours her roots while redefining them. In “Her-itage”, she is unbound by old ideals yet deeply connected to her heritage. With her Vietnamese embroidery, she walks firmly in the present, her heart still resonating with the rhythm of the past.

Tatler Asia
Above In “Her-itage”, the woman is unbound by old stereotypes yet remains connected to her roots (photo: Lecia Bridal)
Tatler Asia
Above She walks steadily in the present, yet her heart echoes with the rhythms of the past (photo: Lecia Bridal)
Tatler Asia
Above To portray this vision through fashion, the designer and Lecia developed a creative cycle called “Carving – Inlaying – Cutting” (photo: Lecia Bridal)
Tatler Asia
Above Each delicate layer becomes a thread of memory, woven endlessly into stories of women, beauty and heritage (photo: Lecia Bridal)

To express that portrait through design, Nguyen Quynh Anh and Lecia introduced a creative process they call “Carving – Inlaying – Cutting”. Here, carving represents the removal of excess, the refining of form, as Lecia reimagines ancient royal motifs that move fluidly with the body.

Inlaying reflects traditional handcrafted Vietnamese embroidery techniques reinterpreted through a contemporary lens, merged with laser cutting and heat pressing to create textures that blend classical craftsmanship with modern experimentation. Finally, layering chiffon and tulle becomes Lecia’s way of folding time into fabric. Each layer, delicate as breath, weaves memories upon memories telling an unending story of women, beauty and legacy.

Embroidery – A visual form extending femininity across generations

In her artistic journey, Nguyen Quynh Anh found herself in Hue, where fate led her to the source of inspiration for traditional Vietnamese embroidery. Hue, cradle of royal artistry and meticulous handwork, became the starting point for her mission to renew the intangible value of this craft through a contemporary lens.

Don’t miss: Vietnamese craft village heritage shines at New York Fashion Week 2026

Tatler Asia
Above The collaboration between two generations of designers preserves classical elements while freeing them from conventional boundaries (photo: Lecial Bridal)
Tatler Asia
Above Exquisite embroidery meets 3D floral art, enhanced with sequins, pearls and silk ribbons, adding layers of depth (photo: Lecial Bridal)

Through the hands of master artisans such as People’s Artisan Vu Van Gioi, who has devoted his life to preserving the essence of royal embroidery, and artisan Phung Thi Vui, who brings the spirit of Quat Dong craft village into modern design, the embroidery in “Her-itage” becomes a bridge between past and present.

While maintaining classical balance, the collaboration between generations also liberates the craft from rigid frameworks. Each piece features refined embroidery intertwined with 3D floral artistry, embellished with sequins, pearls and silk ribbons creating multi-dimensional texture and depth.

Tatler Asia
Above The “Her-itage” collection debuted aboard royal boats drifting along the dreamy Huong River, illuminating the poetic space of Diem Phung Thi Centre (photo: Lecial Bridal)

Staying true to its vision of bringing traditional embroidery beyond museum walls, Lecia unveiled the “Her-itage” collection last September aboard royal boats gliding along the Huong River. The show quietly lit up the cultural space of the Diem Phung Thi Centre, an artistic setting steeped in countryside soul. There, Lecia presented more than bridal gowns; it told a heartfelt story of heritage, as close as breath and as gentle as the heartbeat of the young.